Education
MFA in Directing
Brown University / Trinity Rep
B.A. Theatre Arts, Specialization in Secondary Education
American University, Washington, D.C.
Cum Laude
Director
Penguin Sex with Mr. Morgan by Dhari Noel, ANT Fest, 2023
the book of lucy by Ngozi Anwanyu, Brown / Trinity Rep, 2023
Penguin Sex with Mr. Morgan** by Dhari Noel, Writing is Live Festival, 2023
bathhouse.ppt** by Jesús I. Valles, Writing is Live Festival, 2022
RENT by Jonathan Larson, Yale Dramatic Association, 2022
Angels in America by Tony Kushner, Brown / Trinity Rep, 2022
The Henriad adapted by Andrew Watring, Brown / Trinity Rep, 2021
Richard III adapted by Andrew Watring, Brown / Trinity Rep, 2021
Trofast Sigyn by M. Grace, The Pomegranate Room, 2021
The House at the End of The Lane** by Molly Houlahan, First Look Festival, 2021
Possession** by Alexa Derman, Writing is Live Festival, 2021
Untitled Horror Project by Andrew Watring, Fractal Theatre Collective, 2019
Hamletmachine by Heiner Müller, Katzen Studio Theater, 2019
Shakespeare is a White Supremacist by Andrew Watring, Fractal Theatre Collective, 2019
Something Wicked by Andrew Watring, AU Rude Mechanicals, 2017
God of Carnage by Yasmina Reza, AU Rude Mechanicals, 2018
Shakespeare is a White Supremacist by Andrew Watring, AU Rude Mechanicals, 2017
Passing: A Stage Play by Marie Nyingi and Nileah Bell, Capitol Fringe, 2017
Coriolanus adapted by Andrew Watring, Katzen Studio Theater, 2017
Company by Stephen Sondheim, AU Players, 2019
Associate / Assistant Director
Hurricane Diane, dir. Molly Rosa Houlahan, People’s Light, 2024
A Christmas Carol, dir. Nell Bang-Jensen, People’s Light, 2023
The Inheritance, dir. Joe Wilson Jr., Trinity Repertory Company, 2022
Grand Finales Musical Showcase, dir. Jill Roos, The Theatre Lab, 2020
Mary Poppins Jr., dir. Jill Roos, The Theatre Lab, 2019
The Crucible, dir. Karl Kippola, American University, 2018
Little Women, dir. Karl Kippola, American University, 2017
Playwright
Shakespeare is a White Supremacist, dir. Carey Brianna Hart, Main Street Players, 2021
Black. Queer. Providence.**, dir. Andrew Watring, Black Lavender Festival, 2021
Devour My Soul**, dir. Christopher Lew, First Look Festival, 2021
Untitled Horror Project, dir. Andrew Watring, Fractal Theatre Collective, 2019
Shakespeare is a White Supremacist, dir. Andrew Watring, Fractal Theatre Collective, 2018
Shakespeare is a White Supremacist, dir. Andrew Watring, AU Rude Mechanicals, 2017
Match Game**, dir. Melissa Foulger, New South Young Playwrights’ Festival, 2018
Artistic Leadership / Producer
Community Programs Creative Director, People’s Light, Malvern, Pa, 2023-Current
Co-Artistic Director, Brown / Trinity Rep Cohort, Providence, RI, 2020-2023
Founding Artistic Director, Fractal Theatre Collective, Washington, D.C., 2017-2020
Producer of Dimensions: A New Work Series, Fractal Theatre Collective, Washington, D.C., 2019-2020
Classes / Talks / Panel Discussions
Introduction to Acting and Directing, Guest Artist, Brown University, 2022
Graduate Students of Color Orientation, Panelist, Brown University, 2022
Making Struggle Every Day, Clinician, Director’s Lab North, 2021
Alumni Playwrights, Panelist, Horizon Theatre, 2020
Object Theatre, Instructor, The Theatre Lab, 2020
Acting, Instructor, Adventure Theatre Conservatory, 2020
Acting, Instructor, Adventure Theatre Conservatory, 2019
Actor
Othello, Othello, dir. Caleen Sinette Jennings, American University, 2018
A Funny Thing Happened on the Way to the Forum, Miles Gloriousus, dir. Cara Gabriel, American University, 2016
The Future is Female, Hans, dir. Chelsea Thaler, Keegan Theatre, 2018
No, No, Nannette, Billy, dir. Karl Kippola, American University, 2016
Related Experience
Montgomery County Arts Council, Grants Committee Member, Bethesda, Maryland, 2020
Distinctions / Awards
Directors Lab North (2021)
Life Stories Institute Graduate, The Theatre Lab (2019)
Honored Playwright, New South Young Playwrights’ Festival (2018)
Harold & Sylvia Greenberg Award, American University (2017)
Special Skills
Theatre for Youth; Microsoft Office Suite; Social Media: Facebook, Instagram, Twitter, Snapchat; Training and Experience in Performance, Musical Theatre Performance, Dance, Design, Stage Management; Can Read Music; Classical Vocal Training; Valid AL Driver’s License, Passport; French Language Competency
For reference information, or to request a PDF copy of Andrew’s resume or CV, please visit the contact page.
** Denotes Workshop and/or Reading